20181113

Good stuff to listen to when fixing the socks of strangers around the world (only 5 pairs to go). We had an open studio event on the weekend at ISCP. I was in a flue for the entire event and sat in the corner darning socks. A hipster complemented my stitchwork. He told me I’d make 300$ for a pair!

Anna Tsing & Donna Haraway: Tunneling in the Chthulucene (2015) University of Idaho, Moscow. A long and loose (in good way) presentation of their thinking. Tsing reminds audiences that non-human life does not live in harmony. Symbioses develop trough violence and struggle. Haraway reminds audiences how multicellular entities form: By single cell organisms attempting to eat each others, partially devouring each others bodies, getting stuck and living together anew.

Imagining infrastructures (2017) The British Academy. A (too) detailed talk about infrastructure. Partially good for developing an understanding of infra as a social, life-supporting network. It starts with an interesting analysis of air-conditioners as colonial apparatuses! The idea that people work best in climate controlled cool environments should be re-evaluated. The negative effect that air-conditioners have on communities was addressed in a recent reading group too. Air-conditioners break communities by endorsing indoor, private comfort for closed families. Manuel Tironi’s account on how communities rebuild after catastrophes is very rewarding too. He suggest that infrastructure should be approached as a social network and a compost (as defined by Haraway).

The Facebook Economy (2018) Zero Books podcast. Douglas Lain chatting with Rob Larson. They work their best to frame Facebook (and others) as monopolies and do a good job clearing out how exactly the monopolies make their profits.

Adventures in New America (2018) an afrofuturistic buddy comedy. A fun and easygoing podcast.

WRITING ABOUT ART TODAY MEANS BEING WRITTEN ONTO (2018) Kimmo Modig. Modig is developing a socio-material analysis of contemporary art-exhibition practices. They pleas for a broader acceptance of social practices (workshops etc.) as a critical medium for artistic expression. Social practices and community-building-as-art is a vital field of practice for groups and individuals, who cannot exist alone. Art practices which center on objects & orchestrated performances, advocate exclusive infrastructures. I would like to extend their critique to problematize material & energy demands object centered & orchestrated performance aesthetics rely on. Using Modigs critique we can argue that Chris Burden was more of an antibiotic artist then a performance artist. He was more hospitalized and medicated, then shot in the arm. #ॐ

Modig offers a diagram Social Anxiety Matrix #2 which can be used for analyzing personal motivations for attending art events. They argues that “Contemporary art has never been about class revolution [the temporal and generational rotation of positions of wealth past classes people are born to], but the cementing of its horizontal power structure while adding a new coat of paint on it.” which I don’t agree with. I believe that artist networks and support structures (grants, residencies etc.) are currently the best (if not only) systems for advancing the temporal and generational rotation of wealth and power. Quotes from the text below.

Public has become the primal form of new art, and exhibition the secondary one. The word public here is a (suboptimal) placeholder for assemblies, collectives, public gatherings, non-patriarchal familial constellations and so forth. […] What was once the fringe program (talks, workshops) is now the headliner. When I look around, I can see some people having not really realized this. Others are angry, even. “Why is art about the other stuff nowadays?” This is another way of saying “I”m white and feel like I can’t get enough exposure.”

Managing a nuanced perspective on things is particularly vexing when you’re feeling overwhelmed by the extreme, life-destroying urgency of climate change, for example. Often, you can catch an artist having gone through these motions and realizing that, say, flying to biennials is bad for the environment and a grueling way to live, too. So they turn their own realization into a dictum and hold everyone up to this standard of their own making.

20180708

Launched the New York Sock Repair & Exchange service. I’ll send invitations to friends tomorrow right now.

Collected a set of bike tires from Harlem yesterday. On the C train back to 14th st. – 8th Ave I accidentally touched a lady with my elbow when reaching for my phone. She responded immediately by pushing back. I didn’t sense any hostility in her act, she only wanted me to acknowledge her boundaries. I apologised but she didn’t acknowledge me.

People in the public (and free!) McCarren Park Pool changing area hide their nude bodies by arranging towels as wall high barricades. They crouch behind vertical towel towers just slip into their bathing suits. There are different changing ares for males and females, but nobody was nude! It’s weird to see grown men act so immaturely. Everyone is afraid to be though of as a pervert – Which is why they execute weird performances to show that they are not perverts (which is a perverse in itself).

Old Hippie Remembers His Commune Experiences (198?) David Hoffman. A man remembering how a hippy community collapsed.

20180703

Wrote the text “JOBINTERVIEW” on my studio wall (in cat size letters) to keep me grounded. It’s written in turquoise. If I could start over I’d write “THE DANCE COMPANY”. There is ample room in my studio so I still might.

I cycled to Manhattan today to meet other residents from Finland at the Fciny offices. Crossing the Williamsburg Bridge felt like entering a new world. The skyline was thick with smoke. Someone had written cynical words on the cycling lane pavement: “Self absorbed”, “Smothered”, “Rich”… etc. The words, written in faint white spray paint formed a welcome mat for entering Manhattan. A lot of cyclists sing while they ride and some play music from their boom boxes.. They sing to make themselves noticeable on the road – Being visible makes riders more safe (the same logic applies to working with horses). Americans speak and laugh loudly. I guess this habit could be read as a safety measure: When people hear each other perform they can locate each other and set their bearings straight. Are people who talk loudly afraid of something?

My time in New York feels like an investment. I now have 177 days to yield profits from this trip. I operate on a Day-Currency which is slipping trough my fingers when I make bad investments (like wait in traffic lights). Messaged Jesse and plotted new Ore.e Ref. services:

  1. “Product photos in New York service for Artisans”
  2. “The Temporary New York Sock Repair service”

In the first service artisans could send their craft items for me in New York to have them photographed against the Manhattan skyline. The second service is self explanatory: People could send their socks to me in NYC and I’d fix them (and take photos of them against the Manhattan skyline and wash them in the East River before sending them back).

This city is teaching me about scales. I have some ideas formulating on this matter but nothing clear yet (things felt clear for a second on the bridge but I forgot everything when I returned home).