Visited Mikko Kuorinki’s “LEG SLEEPS DROP DEEP” exhibition at SIC last night with Topi. The presentation felt unfinished. Haven’t read the catalog texts yet. Olli Keränen presented works in the SIC main hall. His pieces felt hastily made. Their artworks appeared similar. Both artists evade simple solutions but as they presented works in the same space the combination felt like trickery. Their artworks require simple and pretty art around them – They exist in contrast. At the SIC event they couldn’t find their momentum. Had a pleasant chat with Josefiina Nelimarkka.
Visited Leena Kela’s Alphabet’s of Performance Art at Mad-house. The piece was presented as a part of the Hurraa children’s culture festival. It has a perfect. Kids age 3-10 were taken by the performance. Kela presented a critical analysis of the history of performance art and studied how its aesthetics have been standardised. Kids were laughing and commenting the show. The event proofed that conceptual art works for kids. I was reminded warmly with my ÄLÄ OLE LAPSELLINEN article from 2013.
Nice video on BASTL instruments by Cuckoo.
Visited performance by Jeremiah Day at SIC 2. The event was organized by Ruler. Day’s presentation reminded me a lot of Philipp Gehmacher’s piece for Baltic Circle. Both were big men, moving in a stuttery dance form, talking about current politics from a personal viewpoint in an plain manner. Day’s event was more uplifting than Gehmacher’s (who comes of as a diva compared to Day).
An incredibly cynical video detailing the future of urban life and warfare made by the American military complex: Megacities: Urban Future, the Emerging Complexity.
A nifty text on cultural imperialism by Pilvi Porkola What is ‘esitys’ on the University of Arts “How to do things with performance?” project blog. She is critical about Richard Schechner’s “Performance Studies. Introduction” which I’ve been studying in preparation of our upcoming Art School Maa course.
I should make a kettlebell out of Snellman’s head.
Visited SIC 2 gallery spaces opening exhibition The movement that didn’t have a dog and a stick… The exhibition was curated by Mikko Kuorinki and Diego Bruno who have been working together on a project they call Ruler. My favorite work was “Joycean Society” (2013) by Dora García. In discussion with Topi Äikäs I came into the conclusion that the exhibition was fuelled with sincere trust for the arts. Topi and I had difficulty in participating in the feeling because we know that the production of such exhibitions is always messy. Messiness is the opposite of Accountability. I have trouble trusting mess (even if I know that art is at it’s best as mess).
We chatted about the 9/11 events in USA. Topi gave an honest account on how he felt after hearing about the attacks. His honesty cleansed the air and I suddenly remembered feeling suppressed delight. At the time we had been both excited about seeing the imperialists twin towers collapse and celebrated the attacks against the high standing symbols of global capitalism.