Successfully build a Music Thing Modular Spring reverb mk2 and a Kassutronic ASR Envelope (which also loops, so now I have an additional LFO too!). I don’t have a frontpanel for the envelope, I’ll have to figure something out. Even tough it’s a really simple module, it has been my most complicated build so far as I had to source all the parts (some had very specific measure specifications) and trust my judgment in the assembly. Powered it for testing using a power supply I build earlier. Feeling confident in my diy.
Traded my Drumbrute to a Expert Sleepers Disting mk4 (the trade was balanced monetarily). Disting has a steep learning curve. Got some multisample Mellotrone running using the the J-6 algorithm. Compiled a samplepack for it (cello, choir, flute). Seems that my departure from sample-life was short lived.
I’m giving up on samplers. During the past two months I’ve traded both my favorite samplers for analogue sound devices. I think this reflects a change in my understanding of sound. There are no samples, there is only sound (and sometimes sound refers to sound or invokes itself). Sounds cannot be “played back”, they can only be performed. Recordings and amplification of recordings, play with our perception of distance (scale) from the source, it is spacial (not temporal).
Newsfeeds are filling up with stories of people whose low performance in schools or work is eventually revealed to be a result of a rare form of learning disability. These stories seldom approach performance concerns from a structural (infrastructural) angle: We have build and operate in biased designs, which benefit able-bodied besserwissers. Dyslexia is natures gift to people combating top down design.
Past: Fear of failing at work. Present: Fear of failing a work. #☭
Every moment of a relationship, which is not couples council – Is the relationship.
Gilles Clement From the Garden in Motion to the Third Landscape (2015)
Diversity is not only about species, it’s also about behaviour. The same species can have different behaviour in different surroundings.
The sound that Connects Stravinsky to Bruno Mars (2018) Estelle Caswell
Interesting experiment with mG2! Made a piano roll in Logic X which triggered samples (through midi) that I chopped from an interview of my grandfather. mG2 can play 6 samples per bank but it accepts program changes to access new sample banks (I think it can have over 60 banks). I wrote program change messages in the piano roll so I could access all of the interview samples through Logic X. I could experiment chopping an interview into samples (which I would keep in the synth) and edit the interview using some kind of (partially automated) drum system. Instead of editing an interview this approach would synthesize the voice of a person. As discussed with Pietari editing an interview can be approached as some kind of narrative-granular-synthesis.
Succeeded in building an almost functional midi clock sync between Automatonism and external midi gear!
Omar Souleyman’s Björk – Crystalline remix (2012) is the future. His new album To Syria, With Love is available on Soundcloud. Es Samra is my favorite so far.
A new episode of Somewhere I’ve Never Been by Steph Kretowicz & Kaino Wennerstrand is available on Mixcloud. Apparently they are publishing each episode through a different channel. I guess it’s fitting to the theme of the book. I’ve enjoyed the episodes so far and I think they should translate it into Finnish and sell it to Yle. The Ableton Live automations on Kretowicz’s voice could be easily used for an actor speaking Finnish. Sari TM Kivinen would have the perfect accent.
All of the episodes of Pietari’s podcast series Pietari K. kävi täällä for Yle are now online. The episode on Kalle Päätalo as a cyborg is particularly fun. Lawrence Lek’s Sinofuturism (2016) is mentioned.
Returning soulfully to Soundcloud with a mG2 fuelled moods.