20161004

Grey Cube Gallery documentations are completed! Fixed the Italian-to-Finnish translations with Viivi yesterday and send my final invoice to the Union for Rural Culture and Education. My favorite artist presentations was by Päivi Allonen and I also enjoyed taking with the Helsinki Zoo staff. During the summer Honkasalo-Niemi-Virtanen collectives residency documentations were cancelled but I’m overall satisfied with the project.

A lot of interesting ideas concerning the relations of animals and public institutions came up during the Zoo staff interviews but these complex talks didn’t make the final cut. I’ve written some down under the tag “Animals in the City“. The idea that the sites primarily goal is to build awareness of animals as individuals was build up through director Sanna Hellström interview. The Bear Castles that hosted the art exhibitions and events are now left unused and if someone is interested in presenting stuff there they should contact Katri Houtbeckers from the Zoo.

Artist presentations:

Helsinki Zoo staff and festival documentations:

I’ll meet up with the Union for Rural Culture and Education on the 26th for the “Paikan tuntu” book launch at the movie theater Orion. I was interviewed for the book by Antti Möller.

Visited “Suburbia – Lähiöperformansseja” exhibition by Antti Ahonen and Katri Kainulainen over the weekend. Came too late for Siiri Nevalaises after party piece but got to hear KOELSE drone noises. Many of the exhibition pieces were faux performance documentations and there was a tad too much repetition (Some photos from the exhibition available online). The photos mimicked street fashion looks and presented a hardcore-nostalgic view to the suburbs. Katri and her friend posed semi-nude in rough concrete surroundings. Unfortunately the contemporary fashion industry produces heaps of similar (and even more disturbing) imagery and styles present in the exhibition came off as rip-off’s of Vice magazine covers.

The fashion industry has appropriated the visual cues of performance art! The disturbing documentations such as Carolee Schneemann’s “Interior Scroll” (1975) has been normalized trough Vice magazines commercial interests in the niche and the perv’s. The best way to rebel against these processes is to produce documentations which look boring!

Had an interesting chat concerning photography workflow with Antti. His archive on flickr is packed with performance art, street art etc. event documentations and artworks. The huge cultural heritage collection he has build has been made intuitively. He does not “waste time” with color correction (he’s colorblind) and he trusts the camera’s/computers automatic sensory. This approach alleviates stress and enables him to take on performance documentation gigs rapidly.

Sometimes the winning move is to renouce the fight. #ॐ

20160913

I’ve been sick with flue for a week. 

Felt better yesterday, worked together with Viivi Koljonen on a Grey Cube Gallery artist documentation we made in Italian during the spring. We made a raw cut together and now she’s working on the translations. On my way home I started feeling sick again on went to the supermarket to buy a treat. In my weak state I suddenly bought a a 16kg kettlebell. The kettlebell is a big surprise. It’s an incredible concentration of metal and cultural practices (My favorite move with it is The Turkish Get-Up). 

I guess I’ll have to make an artwork out of it/with it. 2007 during my time in the Academy of Arts in Tallinn I felt guilty about buying coffee in take away cups daily. My friend Daniel Kupferberg urged me to “make art from the expendable cups so that the feeling would yield something productive”. This approach will serve well with the kettlebell. 

Later surfed online and bought a Honu Cage v.2 camera cage (used for 86€). I can now replace my shaky and worn out Dörr stabilizer grip thingy.. It’s intended for shooting low-angle skateboarding glides and under the load my current system (Gh3/lens, Tascam dr-40, Røde VideoMic Pro, cheep wireless AudioTechnica units and a YongNuo YN-160 led lamp/battery) it wobbles in the wind. The Honu Cage v.2 will stabilize my kit and serve as a hub for a shoulder rig I plan to build.

Today I met with Arttu Merimaa, Miina Hujala and Mikko Kuorinki to plan our upcoming course “The Cruel Radiance of What Is” for Art School Maa. The educational collaboration had a shaky start last spring but this meeting restored my believe on the project.