NO-CHAIR-DESIGN: News from the Swingers Club for Mature Chairs.

Ore.e Ref.  and Turntable joined ranks to promote urban farming and sustainable design in mid Pasila, Finland. On a cold weekend some 12 persons attended the “Swingers Club for Mature Chairs” – workshop during which people where guided how to fix worn chairs and some basic handicraft techniques like chiseling and sawing. The group succeeded in building seven tables, ten benches and some five Adirondack Chairs. The design of the Adirondack Chairs was based on models used in Chair-bombing actions (initiated by do-tank-brooklyn) in NY. The workshop was hosted at a greenhouse build by Dodo ry’s, Kääntöpöytä crew. The greenhouse opened for audiences this weekend.


Turntable, the urban farming center of Helsinki is run by Dodo and they have begun to convert the old railway infrastructure of Pasila into an active community driven urban farming test lab. Alongside farming experiments and upcoming gardening workshops, the place has a cafeteria which opens in a couple of weeks. It will serve vegetarian dishes made from food farmed in the Pasila district. Like Prinzessinnengärten in Berlin. The “Swingers Club..” workshop was initiated, produced and co-run by Turntable active, designer-artist Päivi Raivio and aided by other members of the Turntable team. Special thanks to Kirmo for feeding the workers.

Ore.e Ref’s, NO-CHAIR-DESIGN Challenge team  (Which in this case means me, as Jesse was at a class reunion in Turku) was invited to run the practical part of the workshop:

  • To teach people how to repair stuff and expand awareness on crafts.
  • To teach how to use power-tools and special tools (like dozuki saws and planers)
  • To give some insight on wood as material (joinery)
  • To oversee that people didn’t get hurt when using circular saws..

The tasks the attendees where engaged in where pretty complicated for starters. Some where compiling stuff using big screws for the first time and others had their first go at chiseling. I’m happy to say that the workshop succeeded in it’s targets. People had a fun time (despite the +3 Celsius temperatures on the first day) and learned something practical.

The furniture we made during the week-end is intended to become the infrastructure of upcoming cafeteria. People tagged the benches, tables and chairs they made with their names. When they visit the cafeteria they will have the possibility to dine using furniture they made them selfs! Like with the tactical urbanism movement of Chair-bombing this was a process of building a community – by re-imagining and modifying salvaged pieces of city infrastructure. Junk wood was converted into permanent furniture with labor and these objects are likely to have a positive effect on the local community. There are designer studios, indoor pétanque arenas, festivity spaces for rent etc. in the same premises as the Turntable Urban Farming Center. Unlike with graffiti – which is simply beautiful, furniture like this is useful and hence acceptable for very different kinds of audiences. The boys at the pétanque arena already showed interest spending some time at the table.


As the furniture is tagged by their makers; they will possibly be treated more respectably and fixed autonomously by the community if they happen to break. Identifying the makers protects the objects from vandalism. Sustainable design logic.. Also the bench design is beautiful which will ultimately help it to last longer. People enjoy maintaining beautiful stuff. The design was copied from an old bench found on the site. This also gives the furniture an interesting story. It’s areal design – Possibly the beginning of a Pasila spesfic style of woodworking. The tables mimic the same look and structural solutions. The doors used as table tops where found at a nearby renovation site.

All of the wood was junk wood collected by Kääntöpöytä crew from nearby construction sites.. The wood was dirty, wet and partly rotten (used as support when making concrete structures) and people possibly didn’t get the best idea on how to really work with wood. Chiseling dry wood is much more accurate the chipping junks of wet wood. There are surely some maintenance tasks ahead once the wood dries and the screws start popping out. The wood for the benches was dried for a month in advance but the table legs where as wet as.. well as wet wood can be.  Possibly the most rewarding part of the workshop was teaching people how to use power-tools like angle grinders, jigsaws and hand-held circular saws. People seemed empowered after finding the courage to use these tools.

The event was also interesting as it was an operation where a project (TURNTABLE) supported by the World Design Capital Helsinki venture and a project supported by Alternative Design Capital group  (NO-CHAIR-DESIGN) where working side-by-side in hopes of transforming the city to a jollier space.

Thank you very much for attending and please come again!

A community is needed to run a farm and a farm to run a community – To eat they need a big table.

Do you recognize the designer on the left? Well if you have been following up on the NO-CHAIR-DESIGN Campaign you ought to! And the girl on the right? She’s in the game! And below here is me boasting about after a full work weekend.

Last photo by: Kirmo Kivelä / dodo.org

NO-CHAIR-DESIGN: Using Chairs to Squat Public Spaces.

The name of the video is explicit. The concept is simple and affective. In this case chairs are used as infrastructure to construct social space. These chairs are infraffiti (infra-graffiti) design made with the intent of reclaiming public spaces.

A chair in the right spot of the room can help people socialize (Sofas work even better for this). The same socializing occurs when chairs are placed outdoors. With this kinds of chairs you can convert any site into an easy going “beach lounge”. Design wise the chairs presented on the video are pretty cool. They resemble a soft lounge chairs while being robust in construct. They emanate an easygoing attitude.

The Chair bombing act by DoTank: Brooklyn has caught on and inspired others to do the same. It has also evolved into a digital culture project when a website design company went on to make a decent amount of similar chairs and ditch them to public sites (http://punkave.com/build-a-chair). Each chair was marked with a qr-code and people can follow their movements online. Kind of the same way as Book Crossing (http://www.bookcrossing.com/) does.

Funny how these kind of “tactical urbanism” projects emerge around the globe relatively at the same time. I noticed that both projects rely on the expertize of “real designers”.. The DoTank design is made by Shelton Davis from http://www.repurposedgoods.com and the P’unk Ave events where made possible with “Pallet Chair Lo – Chair” by http://www.studiomama.com/

If you happen to be around in Helsinki next week please look this workshop up!

Swingers Club for Mature Chairs!

Turntable, urban farming center run by Dodo in mid-Pasila is looking for chairs that are suitable for outdoor usage. The chairs will be used at the Turntable cafe and it´s happenings, which opens this spring. Forget about plastic chairs and sitting down for work – we are looking for your wooden chairs! You can donate chairs on the site on the time that suits you best during week 15 or on the fay 14.4.

Turntable together with Ore.e.Refineries is organising a chair workshop where the chairs will be fixed to meet outdoor usage requirements and chairs and benches will be made of waste wood. People joining the workshop have the opportunity to learn the usage of hand operated power-tools and about the surface treatment of wood. The workshop does not cost a penny and is run by Ore.e Refineries staff, known from the awe-inspiring “NO-CHAIR-DESIGN” Campaign.

If you do not wish to donate your favorite chair – You may use this opportunity to fix it and take it back at the end of the day. First 15 fit in the workshop, make sure to register by sending an email: pasila@kaupunkiviljely.fi

Open Doors Workshop
14.4. 10-17
Donations are collected:
(vk15 9.4-14.4)

Tips for people donating chairs: Avoid chairs which, have complicated hindges (office chairs etc). or are overlayed with textiles.
Tips for partisipants: Bring you protection gear… umh… I mean
earmuffs and eye protection.. Sunglasses will do nicely.

www.kaantopoyta.fi
Map: http://kaantopoyta.fi/yhteystiedot/
Ore.e Refineries: http://oree.storijapan.net/NCD-C/

Contact:
Turntable: — (not on tumbrl)
Workshop: 050 57 29743

[Fi] Näin omistan taidetta. | 1# Kalle Mustonen — “Tuki” (2012)

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Taiteen kerääminen on antoisa harrastus jonka myötä oppii paljon. Keräilessä on tärkeää valita jokin itselleen mielekäs teema jota edustaviin teoksiin erikoistuu. Kalle Mustosen työ “Tuki” (2012) edustaa replikaatioihin, pastisseihin ja jäljennöksiin erikoistuneessa Ore.e Refineriesin Meta- kokoelmassa; esimerkkiä katutaiteen kuvakielestä sekä stradegioista..

Mustonen on käyttänyt “Tuki” teossarjassaan sarjatuotanto menetelmäsi hyvin soveltuvaa sapluuna tekniikkaa valmistaakseen postikuoreen (10x15cm) mahtuvia akryylimaalauksia. Työ on maalattu vanerilevylle. Kuva esittää pääkalloa, joka on sounnustettu kuulokkeisiin.

Taiteilija hyödynsi sosiaalista mediaa markkinoidakseen maalaussarjaa ja ehdotti asiakkaille, että nämä tukisivat tämän Uusi Kipinä galleriassa (Lahti, Toukokuu 2012) toteutunutta taidenäyttelyä ostamalla tämän valmistaman teoksen. Työ postitettiin kotiin. Näin Mustosen verkostot pystyivät välittömästi osallistumaan tulevan näyttelyn tuotantoon. Taiteilijan sanoin: “Minimesenaatteina”. Postitettu työ laajentaa gallerianäyttelyn ulottumaan yksityiskoteihin ja sen kuvasto tukee näyttelykokonaisuutta.

Keskeistä teokselle on myös sen levitysmenetelmä. Pieni maalaus löytää perille yhdistelemällä posti-taiteelle ja verkkossa toteutuville mediataiteellisille projekteille tyypillisiä stradegioita. Työ on mittakaavaltaan täydellinen postitse levitettäväksi ja markkinointi viitekehykseltään tarpeeksi kiinnostava, että se tulee huomioiduksi sosiaalisissa medioissa. (Kaikkiaan Mustonen möin 38 vastaavaa teosta ja sai näiden turvin maksettua galleria kulunsa).

Mustonen tunnetaan parhaiten kuvanveistäjänä, jonka teosten materiaalina toimii puu. Hän käsittelee materiaalejaan raa-asti, jonka seurauksesta työnjälki säilyttää luonnos omaisuutensa. Mustosen työskentelyn pohjana toimii aktivisti kulttuurin edustamana globalisaation vastaisuus. Valittamisen sijaan tämä tekee globaaleja ihanteita parodioivia teoksia, jotka asettavat modernisaation ihannoimat arvot uuteen mittakaavaan. Vaihtoehtoisesti hän hyödyntää teollisuudesta tuttuja materiaaleja, betonia ja teräs jätettä luodakseen dystopisia kuvaelmia niin galleria kuin katutilaan.