20160923

A more detailed reading of Angel Archer’s article “Botline bling” opened a new trail of thought concerning the anthropocene and post- / trans-humanistic sexuality. Dorothy Howard looks at sex, hyperreality and the politics of intimacy in “Loving machines: A de-anthropocentric view of intimacy“. The writer also investigates the deep emotional relations we form with technologies (We sleep with our screens). Paul B. Preciado’s “Contrasexual Manifesto (Excerpt)” explores sexuality and gender as capitalistic tools aimed for exploitation of the others (If I understand it correctly). “Queer Atonality” by Alexander R. Galloway seeks to build awareness on how the usage of queer terminology and methodologies is being appropriated by various (normative) academic disciplines and used in political rhetorics. He approaches the theme through an analysis of “The Molecularization of Sexuality: On Some Primitivisms of the Present” article written by Jordana Rosenberg.

Rosenbergs article is pretty complicated. It is critical towards Object Oriented Ontologies as “object-ontologies are origin narratives not just because they are compelled to project forms of ‘ancestralness’, but more specifically, because they exchange frictionlessly between two sets of seemingly opposed orientations – origins and prognostication. Object ontologies, in other words, cast a twin temporal shadow: the ancestral and the futural. Or, the primitive and the brink.” The author continues: “[…] the ontological turn reiterates a version of this settler rationality, borrowing – or, rather, capsizing – a set of arguments from queer studies in order to grasp biology as a kind of sheer queerness (or, aleatoriness) that enshrines a primitive/brink temporal logic while appearing nonnormative and in some fundamental way resistant to the demands of capitalism’s logics of time, discipline, and subject-formation.”

20160921

“…criticisms are simply outdated methods of managing risk”. Writes Stefan Heidenreich. The two part text (1&2) on e-flux offers a critical introduction to post-internet art and an insightful analysis on how Speculative Realisms is linked to contemporary art markets. The text also looks at how the role of museums has changed: In the past they served like central banks which grounded and stabilized the value artworks. Today freeports serve as deposits for art investments. The value is more stable when no-one sees it!

“Freeportism as Style and Ideology: Post-Internet and Speculative Realism” offers a great point of departure for analysing the upcoming Kiasma Ars17 events.

20160920

Bumped into an old video “Love Story for Post-Apocalypse” from 2010, which I made as a part of a theatre video-design project for Antti Manninen. I should make a sci-fi movie!

Currently writing a review of the “Fleshlight™ Freaks! The Alien” sextoy for the Esitys mag. I got it for a decent discount when I was interviewing Eero Meronen of the Yellow Rose sexshop.

I’ll have to remember to send an SMS to Pietari about joining Circus Maximus Association.

Wonder if bright mobile phone screens could be used for the to alleviate seasonal affective disorder.

20160918

If you want to change the world with art, the first step is to change the art you make. #