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20160822

“Today’s theory demands transformation” (or something like that) cries Groys in “In the Flow”. Last week featured many transformative experiences as we hosted the “Horse and Performance” course for students of the Theater Academy Helsinki together with Pietari. The week long contemporary-horse-culture course ended in a full day of horse-animal-human-exercises, which the eight participants had planned and conducted for our group. The day was long and I lost my bearing on which inputs and ideas were provided by the horses and which were of human origin. During one set of exercises I lost track of who was an animal. Reports and photos of the course are being processed and will be publicised on the Trans-Horse blog during the following weeks. The “Theatre and Dance” magazine will also publish a small text about the course.

Paula published the “The Bat Simulator” video last week (I’m the bat). The video got me dreaming of a new leather jacket. The one on the video was found on the street and has since been broken. Timo has published “Last Worker Standing” which casts an eerie look at the concept of “New Work”. He call it an “Dyst-ironical speculative fiction machinima”. I’m inspired to make a song to accompany the video (A Deep Time Marxistic Étude). Timo’s work would go together with Paula’s recent “Harmaja +10 länsiluode 35m/s” piece presented at Hippolyte gallery.

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20160813

Review of Ted Nield’s book “Supercontinent: Ten Billion Years in the Life of Our Planet” (2009) casts a shadow over the concept of Deep time Marxism. Apparently “even if some civilization of 200 million years ago had completely covered [the Earth] in cities and then wiped itself out in some gigantic global nuclear holocaust, nothing—not even the faintest trace of some unnatural radioisotope—would now remain on the surface.”. The review highlights a novel concept “no-analog” landscapes which are environments (in the past and future of earth) that aren’t in connection with our current modes of life.

I’d like to further my rhythmical indoctrination to Marxism in the dance workshop for “HEGELIAN DANCERS“ by Ericka Florez.

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20160812

Playing around with “Deep time Marxism”. I explained the concept to Paula, as being 40% chitchat with Pietari and 60% of the “Dust and Exhaustion” article by Jussi Parikka, with some references to the concept of “Anthrobscene”. I made two educational videos about it. One for grooves and smoothes and the other for seduction and the weeps.

  1. The Deep Time Marxists of the Future
  2. Indoctrination to the Arts

We are preparing the “Horse and Performance” course for the Theater Academy Helsinki with Pietari. This time the course will be conducted inside a week which will push as to work even harder than last time (Here are the un-proofread notes of the course).

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Deep time Marxism (noun)

/diːp tʌɪm ˈmɑːksɪz(ə)m”/

  1.  Investigation of political subjectivities which develop as direct results of geological developments and the concentration of valuable minerals in specific regions of earth’s crust (and celestial bodies in outer space).
  2. Class consciousness which develops from investigating oneself as a fossil of the future (i.e. Imagining how traces we have left in to earth’s crust and geospace [traces of radiation, concentrations of metal, space junk, etc.] will be interpreted by the Deep time Marxists of the future).
  3. A pedagogical movement working to deposit specific traces of human activity in geographically strategic sites, so that the Deep time Marxists of the far future may come to terms with their role in history.
  4. (Fig.) Of a communist or socialist ideology resurfacing from history. Ref. Geological theory of deep time which manifests itself in minerals and fossils surfacing from earth core; living fossils.
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20160807

The “Eroottinen prekariaatti 2 | Erotically Precariat 2 (2014)” copyright case was sorted and I now have the right to host it on youtube! Enjoy an hour of precoital labor negotiations at the sites of work. Workers include plumbers, car maintenance experts, secretaries, carpenters, blacksmiths, construction site managers, engineers, artist, electricians etc. The dialogue is hilarious and the performers often break the fourth wall with their self-conscious and ironic acting style. It’s particularly interesting to follow how the performers own professions as erotic entertainers is folded within the roles they assume. I’m convinced that some of the actors or film crew members have work experience from the professional fields they have chosen to illustrate. Some segments serve as carnivalization of workplace hierarchies and I imagine performing was liberating.