20160813

Review of Ted Nield’s book “Supercontinent: Ten Billion Years in the Life of Our Planet” (2009) casts a shadow over the concept of Deep time Marxism. Apparently “even if some civilization of 200 million years ago had completely covered [the Earth] in cities and then wiped itself out in some gigantic global nuclear holocaust, nothing—not even the faintest trace of some unnatural radioisotope—would now remain on the surface.”. The review highlights a novel concept “no-analog” landscapes which are environments (in the past and future of earth) that aren’t in connection with our current modes of life.

I’d like to further my rhythmical indoctrination to Marxism in the dance workshop for “HEGELIAN DANCERS“ by Ericka Florez.

20160812

Playing around with “Deep time Marxism”. I explained the concept to Paula, as being 40% chitchat with Pietari and 60% of the “Dust and Exhaustion” article by Jussi Parikka, with some references to the concept of “Anthrobscene”. I made two educational videos about it. One for grooves and smoothes and the other for seduction and the weeps.

  1. The Deep Time Marxists of the Future
  2. Indoctrination to the Arts

We are preparing the “Horse and Performance” course for the Theater Academy Helsinki with Pietari. This time the course will be conducted inside a week which will push as to work even harder than last time (Here are the un-proofread notes of the course).

Deep time Marxism (noun)

/diːp tʌɪm ˈmɑːksɪz(ə)m”/

  1.  Investigation of political subjectivities which develop as direct results of geological developments and the concentration of valuable minerals in specific regions of earth’s crust (and celestial bodies in outer space).
  2. Class consciousness which develops from investigating oneself as a fossil of the future (i.e. Imagining how traces we have left in to earth’s crust and geospace [traces of radiation, concentrations of metal, space junk, etc.] will be interpreted by the Deep time Marxists of the future).
  3. A pedagogical movement working to deposit specific traces of human activity in geographically strategic sites, so that the Deep time Marxists of the far future may come to terms with their role in history.
  4. (Fig.) Of a communist or socialist ideology resurfacing from history. Ref. Geological theory of deep time which manifests itself in minerals and fossils surfacing from earth core; living fossils.

20160807

The “Eroottinen prekariaatti 2 | Erotically Precariat 2 (2014)” copyright case was sorted and I now have the right to host it on youtube! Enjoy an hour of precoital labor negotiations at the sites of work. Workers include plumbers, car maintenance experts, secretaries, carpenters, blacksmiths, construction site managers, engineers, artist, electricians etc. The dialogue is hilarious and the performers often break the fourth wall with their self-conscious and ironic acting style. It’s particularly interesting to follow how the performers own professions as erotic entertainers is folded within the roles they assume. I’m convinced that some of the actors or film crew members have work experience from the professional fields they have chosen to illustrate. Some segments serve as carnivalization of workplace hierarchies and I imagine performing was liberating.

20160805

Is love an emotion or our interpretation of our behaviour?

Visited “WASD” exhibition by Reija Meriläinen, Santeri Räisänen & Eetu Sihvonen at Oksasenkatu 11. They presented a chair-shaped controller which guest could use to play a dialogue driven adventure game. The chair-controller referenced fleshy interfaces recognized in Cronenberg movies. To start the adventure players had to navigate through a 3d model of the the exhibition space. The simple trick of presenting a playable virtual copy of the gallery was enough to immerse me into the the gameplay. The rest of the game took place inside a sphere shaped world. Players were invited to engage in “Dr. Sbaitso like” therapeutic discussions with NPCs. If the dialogue was fruitful they begun to follow the player but characters also tried to trick the player into resetting the game. I didn’t learn what the objective of the game was but I enjoyed it’s melancholic mood. One segment the world presented a free roaming horse’s ass, which was previously seen as a part of Meriläises work for the Such gallery (Reija’s piece for Such referenced a riding trip we made 2015).

Visited Antti Majavas exhibition opening at the Helsinki Art Museum. He had build a hull of an airplane and presented various landscapes through the plane windows. Some landscapes where actually sketches of clothing Malevich had designed for the “Victory over the Sun” opera, others where aerial images from Google Earth, views through a car window and diary like footage showing advertisement imagery. Some parts (if not all) of the installation were running from electricity provided by Mustarinda residencies powerplan. The exhibition was accompanied with texts in which Majava shared his frustration with avantgarde art. Gathering from the texts he was making an anti-(avantgarde)art statement. He had identified a cultural icon through which our perception of the globe is build: The Aeroplane Window.

Also saw “Harmaja +10 länsiluode 35m/s” by Paula Lehtonen at the Hippolyte gallery. Lehtonen had designed a wall mounted dome which was used as a projection surface. A video showed partly computer generated dystopian scenery from Helsinki. She had divided the room the work was in with a fake wall, so that she could project the video on the dome from behind. A very nifty device. The work had an audio track made by Rasmus Hedlund but the exhibition opening made hearing it impossible. I’ll have to revisit the exhibition.

I’m very frustrated with Margo Demello’s “Animals and Society: An Introduction to Human-Animal Studies”. The book provides a decent overview of the areas of interest for human animal studies but it doesn’t approach the field critically. It reads more as a long and detailed pamphlet advocating animal rights. I’ll have to reread Jason Hribal’s “Animals are Part of the Working Class Reviewed” to purge my thoughts. We are preparing the “Horse and Performance” course for the Theatre Academy of the University of the Arts Helsinki which starts in a week.

Currently excited about the Novation Circuit 1.3 firmware update. Got some funky samples loaded.