20180717

Bought a tickets to Sonic Arts Union: David Behrman, Alvin Lucier, Gordon Mumma, Robert Ashley (in memoriam) gig on Friday. I have no idea what the gig is going to be like but the texts are convincing.

Messaged Agnes Denes and requested an interview (Got a reply and send her a list of questions to consider).

Participated in a talk by Imara Limon’s on New Narratives at the Amsterdam Museum at the Independent Curators International spaces in Manhattan. The New Narratives program is an ongoing series of events, exhibitions and pedagogical programs which seek to develop critical approaches to the Amsterdam museums existing  practices and permanent collection. Visitors of the museum have been offered “colonial nostalgia” trough exhibitions which focus on the “Golden Age of the City”. For example Dutch 17th century group portraits and the display of luxurious objects disguise the violence of colonial practise, trough which wealth was accumulated the families displayed in the paintings.

Limon explained that the past isn’t painful, what’s painful is that contemporary institutions have not changed and diversified their practices. Diversity and inclusion are frequently discussed (superficiality trough banderols on museum walls) but the discussions seldom have an impact on how the museums actually work. To change the narrative she had organised museum tours which were guided by a diverse range of guides, who made sense the collection from their perspectives. They were also working to add new subtext to items in the collection. “It’s not about output – It’s about the input” she explained.

I’m not sure but I thought that this meant that they are trying to change how the museum make sense of the world (I tried to ask more about this but I couldn’t frame my question properly). When asked if there are taboos that she was advised not to address (trough her curatorial work) Limone answered that “You can say anything but who is listening”. A taboo she addresses was that there is not enough diversity in museum staff, which underlines the impact colonial history has on present day.

I’m in serious trouble in navigating these discussions. I can seem to find proper terms to initiate discussions. I fear that museums cannot change: They reproduce the past indefinitely.

When the Harlem Renaissance Went to Communist Moscow (2017) Jennifer Wilson.

20180714

The West (2018) ContraPoints. She’s referencing Kwame Anthony Appiah (notes from earlier). An entertaining video highlighting contradictions that make up the definition of “the west”.

A young kid in the Sternberg Park children playground had a snake with her. She wore it around her shoulders and waist while walking around a water fountain. Kids swarmed around her but they soon got bored and continued with their games.

20180713

Learned about Shaun Leonardo’s I Can’t Breathe workshops (a 2017 article on Hyperallergic by Seph Rodney). Leonardo’s workshops are in stark contrast to the Police Horse Care & Control workshops we organised with Pietari. Leonardo is teaching people how to survive chokeholds – We are teaching audiences what it feels like to support the weight of a police officer with your body and to have your body supported by theirs in exchange.

Finnish Cultural Institute in New York published my artist profile on their website.

20180712

Participating in the ISCP weekly Open Doors Thursday. The beginning of the day was busy. I got to meet nice people but I got tired pretty fast. I retreated into my studio and started to log/quasi-edit Signal #6 (Cifas) footage which was shot by by Camille Laufer in 2017. Here is a raw cut of the Trans-Horse Parade and some footage form Care & Control workshops.

My visit to Staten Island (on Monday) felt like a beating, I’m still recovering. Busses were late, I was late, it was hot and I was so sweaty I couldn’t hold my camera rig steady. I didn’t have stamina to direct the interview I shot. The footage is almost good, better then I feared (More on that later). Bought a Rode RodeLink Wireless microphone system which worked well (Learning how to balance the audio will take a while).

Discovered Kensington Stables at Prospect Park. 45$ for an hour with a horse – Not bad! I learned from the news that there are a drastic development plans for the area and the local urban horse culture is under thread. I guess I’ll go to a riding class next week.

Why the Ed Sheeran lawsuit makes no sense (2018) Adam Neely. A very convincing video, arguing that some copyright lawsuits benefit lawyers (who work for corporations), at the expense of artists (who work for music).