20180315

Finally completed a lengthy article about my experience of working as Environmental- / Land Art Conservator for the Strata project in Pinsiö 2013. I worked in a team tasked to restore Up and Under (1998) by Nancy Holt and The Tree Mountain by Agnes Denes (1996).  A big part of that text is an analysis of the controversy caused by Spiral Jetty conservation efforts. The text is currently being reviewed by Mustekala.org and if it passes I might translate parts of it into English too. I should craft it into a zine too…

I contacted Dia foundation in New York and offered to prepare a presentation about the the work we did for the environmental artworks commissioned by Strata.  They haven’t replied yet. Attempted to open a dialogue with contemporary art conservators at Kiasma too but they haven’t replied either. They must get a lot of contact requests from Environmental- / Land Art Conservator’s around the world.

Finnish Cultural Institute in New York is trying to arrange a meeting with the NYPD mounted police unit for me. We drafted a long letter together and I hope it’ll open a dialogue with them. I’ll start the visa application process tomorrow.

20180301

How Modern Art Serves the Rich (2018) Rachel Wetzler.

It’s no coincidence that the world’s most prominent art collectors include Walmart heiress Alice Walton; the Sackler family; Poju Zabludowicz, whose family fortune has its origins in arms dealing; and hedge fund founder Daniel Och, whose firm paid millions of dollars in bribes to government officials in several African countries in exchange for mining rights. No doubt they’d rather be remembered for their patronage of the arts than for profiteering off human misery.