20180923

I really believe this city is teaching me something. It works on me, my views on independence, freedom and collaboration are being altered by this place. In New York freedom is the right to express yourself and move without interference, in Helsinki freedom is about having access to forums were futures are being decided.

A Feminist Counterapocalypse (2018) Joanna Zylinska. The text frames Judith Butler as a posthumanist (We suspected this with Pietari)! It gives a great overview to Anna Tsing’s thinking and provides a framework for further developing the happy degrowth movement or a #deathhack cult. More Anna Tsing on Landscapes (2016) Anthropod podcast. Terms to take home from the lecture: Creatures of Empire = Animals which colonizers brought with them (horses etc.), Shock-Troops = Pathogens, Camp followers (Starlings etc.) = Species brought by settlers which threaten threatening local ecology. “Landscape assemblage”.

Continue reading “20180923”

20180806

Bought a book by Michel Serres and started working on an application for the Doctoral Studies Programme in Artistic Research in Performing Arts at the Theatre Academy of the University of the Arts Helsinki. I’ve written a 12 page research proposal called “Horse & Performance” (it’s taken me two-to-three weeks and I’m currently waiting for comments/guidance from friends). The English summary is the last part (I’m having trouble with it). Apparently I want to spy on people, talk to horses and ask them what they think about our perception of them.  I can’t read the the summary without giggling – Which has to be a good sign.

The “Horse & Performance” research investigates “what do we talk about, when we talk about horses” at Finnish horse-stables. The research is rooted on an ethnographic study which analyses how horse-hobbyist and professional construct the figure of the contemporary-horse. The ethnographic part of the research will focus on situations were people explain the animals behaviour trough unintentional utterance, murmured while working with them. I will also engage in an “performance architectural” analysis of the sites, where people meet with horses, trough which I will formulate an understanding on how particular sites (and particular technologies presented in them) affect our perception of the animal. The fieldwork will be contrasted to the work of artists and theorists who have contributed to the development of the “animal-turn”.

From these sources I will develop a set of post-humanistically geared exercises and grooming techniques, through which I will direct the question to the horses themselves and ask for their feedback. These exercises will be presented as public performances, organized in urban spaces. The feedback audiences provide will be used to further develop an understanding of the contemporary-horse. Performing publicly with an animals cause conflicts through which we can access views and assumptions people project on them. Techniques developed through this research, can be used to ask animals for feedback on how build environments should be organized. The research aims to advance the wellbeing of animals and to advocate ethical environmental design.

Here is a list of texts I refer in the full proposal:

  • Barad, Karen. 2003. Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter
  • Butler, Judith. 2015. Notes Toward a Performative Theory of Assembly
  • Cull, Laura. 2012. Theatres of Immanence – Deleuze and the Ethics of Performance
  • Despret, Vinciane. 2016. What Would Animals Say If We Asked the Right Questions?
  • Haraway, Donna J. 2007. When Species Meet
  • Haraway, Donna J. 2013. SF: Science Fiction, Speculative Fabulation, String Figures, So Far.
  • Haraway, Donna. 2016. Staying with the Trouble: Anthropocene, Capitalocene, Chthulucene
  • Hribal, Jason. 2003. “Animals Are Part of the Working Class”: A Challenge to Labor History
  • Hribal, Jason. 2012. Animals are Part of the Working Class Reviewed
  • Ingold, Tim. 2011. The Perception of the Environment. Essays on Livelihood
  • Korhonen, Pauliina. 2014. Ratsastusreitit kaupunkialueella – Suunnitteluesimerkkinä Länsi-Vantaan ratsastusreitit
  • Leinonen, Riitta-Marja. 2013. Palvelijasta terapeutiksi – Ihmisen ja hevosen suhteen muuttuvat kulttuuriset mallit Suomessa
  • Mbembe, Achille. 2003. Necropolitics
  • Mitsuda, Tatsuya. 2007. Horse in European History 1550-1900
  • Kaimio, Tuire. 2004. Hevosen kanssa
  • Malm, Andreas. 2016. Fossil Capital – The rise of Steam-power and the Roots of Global Warming
  • Mejdell, Buvik, Jørgensen & Bøe. 2016. Horses can learn to use symbols to communicate their preferences
  • Morton, Timothy. 2017. Humankind
  • Ojanen, Karoliina. 2011. Tyttöjen toinen koti – Etnografinen tutkimus tyttökulttuurista ratsastustalleilla
  • Salminen, Antti & Vadén, Tere. 2016. Energia ja kokemus: Naftologinen essee
  • Serres, Michel. 2010. Malfeasance – Appropriation Through Pollution?
  • Schweder, Alex. 2011. Performance Architecture
  • Urry, John. 2004. The ‘System’ of Automobility
  • Weizman, Eyal. 2015. The Roundabout Revolutions
  • Weizman, Eyal. 2017. Hollow Land: Israel’s Architecture of Occupation
  • Wright, Stephen. 2014. Toward a Lexicon of Usership

20170820

Read a speech written by Päivi as “a man with a moustache which looks like the moustache of Kyösti Kallio” at the RaivioBumann (Raivio & Daniel Bumann) Hiljainen vieras / Silent Guest event. The performance was a part of Patsastellaan: Parties for Public Sculpture series organized by James Prevett (Taideyliopisto). The role of being just an actor/speaker felt nice.. I wasn’t as nervous as when I perform my own material.

Bought a Bastl Dude mixer for the upcoming Childrens Techno workshop (Teknomuskari) in Turku (NPTurku covers the expenses!). The mixer can also be used in Brussels next month. Made a website for our upcoming show wheredoyouwanttogofromhere.com. The Brussel gig is causing a lot of stress.. The recent attacks in Barcelona and Turku are adding to the mix. Working with horses is stressful, working with people is stressful and working in public spaces is stressful. To top it off, we are drafting strong arguments concerning the changing nature of public space (in relation to recent attacks) and framing climate change as a weaponized method of colonial dominance.

The booklist we’ve selected as our framework requires intensive learning. We are studying classics like Foucault, new material from Butler, new materialism/anthropocene inspired texts, the history of horses in European cities, re-reading Hribal and Eyal Weizman’s theories concerning the Arab Spring (The Roundabout Revolutions, Critical Spatial Practice 6, 2015). Majority of the text deal with infrastructure and how urban structures serve as authors of the modern self-regulating subjectivity. The texts (even the history of the horses) are centered around the concept of public assembly and examining how the concept of “the people” is build and used.

I guess part of the stress is caused by the indoctrination of these texts. Changing is stressful.. And I guess developing as an artist requires constant change.