Visited Performance art event (called Performance art event) at the Exhibition Laboratory on Wednesday. The event was organized by Salla Valle and Timo Viialainen. Viialainen also performed in the event followed by Helinä Hukkataival, Michel Ruths, Yuan Moro, Linda and Aura and the night ended with a cute performance Viljami Nissi. The mood of the event was good and there were new faces in the audience. Ruths and Moro were new artist to me. Ruths had moonshine from his home town with him, which he offered to the audience before we sang swedish songs together. Moro performed a ceremony which seemed to mix Eastern Orthodox Church and Buddhists rituals. He also recited some sort of folk tales, he had a strong stage presence. Nissi presented a simple love-story using a horse themed song, condoms inflated with helium and scissors. I send him the On the Road with Trans-Horse mixtape after the event.
20180614
The Revolutionary Feminist Music of Actually Huizenga by Zero Books. A youtube video analysing another youtube video trough optimistic kink lenses (which are the best lenses there are). This is contemporary flirting! The video offers a very revealing analysis of the male gaze: The male gaze does not actually want to see women enjoying sex, it wants to see them fake their enjoyment – So that the feeling of conquering a woman would feel more real. Learned about Actually Huizenga trough the text and I’m digging her videos. Her music reminds me of Z O M B E L L E. I guess stylistically a local equivalent would be Munalissu.
20180613
Saw Adinkras perform at the Helsinki Day Kontula Mall festival. The band was called “The Kontula Electronic band” by accident. The gig offered a modular vaporwave vibe. The drunken crowds cheered the bass sounds. Passed the Oodi modular synthesizers to Viktor.
Partisipated in Bändi by Johannes Vartola and Mikko Niemistö (for Urb festival). Had a fun experience playing samples together with people I didn’t know from before. The tempo, soundscapes and composition of the gig were similar to my the Wavelings performance (for NPTurku).
20180611
An artist in Helsinki who’s active on twitter has been writing a critical commentary of art-life, culture institutions and exhibitions for a half a year now. The blog is called Hampaat (teeth) and it’s an interesting albeit a tad cynical source for local art-news and art-thought. The most recent post is called YOUR COLLEAGUES ARE THE PROBLEM. The text feels like it’s very critical towards someone but that person is not identified… Which makes me paranoid (am I part of the problem? *laughs nervously*). The author identifies the figure of the “reputation avatar” (derived from the work of Gloria Origgi, a podcast about her book online) and tries to pinpoint moments were artists work primarily to maintain their reputation. I often engage with work to merely to maintain my reputation (but I don’t think it’s a bad thing).
The criticism of art mirroring our times (as a justification for the lack of critical thought and practice in art) is something I agree with. Elaborate media-artworks which I’ve seen recently (most of which are related to AIs) should be read as blatant celebration of media technology, innovation and capitalism (and not it’s critique). A hammer cannot be critical of a hammer #ॐ. The artist status should not be used as an excuse from ethical concerns: When artist use AIs they have the opportunity to be just as unethical as the übers and googles of the world.
The author is also critical of the recent trend of “melding art with science” and claims that “the situation of art as a site of knowledge is rotten at the core”. I agree to an extent. Artist are sometimes portrayed more pure hearted then they are. There seems to be consensus that artist would use science for the good of people if only given the chance. Which is not true – Artist are not healers. The text also makes me ask that why would anyone want to learn about Barad from an artist who reads Barad (if they can learn from Barad herself)? And to ask that in what circumstances is learning from an artist about Barad (instead of Barad herself) more efficient/better/smarter?
I’ve liked the THREE QUESTIONS TO PEOPLE DOING EXHIBITIONS UNDER CAPITALISM best so far.
Pietari shared a gruesome story from Amsterdam Dutch rewilding experiment sparks backlash as thousands of animals starve. A case-study for understanding the intersections of cross species solidarity and post-humanistic theory.
20180610
Bargaining With the Algorithm (2018) Lorenzo Zamponi. A good overview on how food delivery drivers have organized as a labor movement.