20180512

Jade Rose aka The Library (Modular) Girl has released her first album record on bandcamp. Some songs were composed using the Lawrence Public Library modular systemHer videos on youtube were an important reference for developing the Oodi modular proposal. My favourite song is Olivine (7min), here is a video of Rose recording it live at the library.

Fixed my Leatherman Wave (which broke a few years back because I forced the locking mechanism of a blade and a design error). I had to brute-force a 6mm (metre) bolt into a 16/64?? inch (imperial) hole. Succeed by grinding both the bolt and the hole with a file. The bolt is now ~5,9,mm and the hole ~15/64 inch. The size of the bolt&holes no longer work within any known measurement system… I’ll call this new system the “post-transatlantic system”. It’s the system of fitting metre size stuff into imperial stuff using brute force.

Ready Player One (2018) is a necessary movie for understanding the loop that visionaries of early globalisation have placed western lifestyles in. The movie is what the people who ended history have left us with. In the movie a group of avatars (who have money for blood) try to figure out the testament of a corporate overlord called Mr. Holliday (Who is compared to Steve Jobs). The movie manifests a Spielbergian fixation with word games: The avatars try to solve puzzles, discover truths within words from pop-culture references (which is used like kabbalah) and this determinism (that words have hidden meanings in them) makes the story very cynical. The movie is aware that its a game save from 1989, there is even a lead figure with a birthmark similar to Gorbachevs. Contemporary culture is a game save, every trail of thought that breaks the game – Returns us to the save. The movie helped me understand that history didn’t end in 1989. History starts in 1989! Majority of us learn about history before the collapse of communism trough digital recourses: This means that there is no history before victory. We are not stuck in the past, we are stuck in a future. #☭

20180511

Redistribution via Appropriation: White(washing) Marbles (2018) iLiana Fokianaki.

There has finally been the addition of much-needed voices and positions from outside the Western canon. Nonetheless, these voices are usually framed not only by white people but by white logics. Institutions, biennials, and mega-exhibitions attack colonial pasts, but not presents. They are quick to be politically correct and “host” the Other—while often maintaining an all-white staff, and a clearly rigidly Western approach as to how to institute.

Before attempting to address what is to be done, one must first understand the limitations of the contemporary art institution and the mega-exhibition. These forms fail to escape the mechanisms of power they wish to condemn, since they cling to a notion of “civilization” with roots in modernism that continues to structure particular modes of discourse.

When departing on a quest to define the Western and the white, one needs to take into account that the notion of “white” carries socioeconomic and political weight. The propaganda of the WWW (White Western Westphalia) order has always counted on including as many countries as possible in the definition of this Western whiteness, “modernizing” and “civilizing” them throughout the centuries, via globalization and capitalism, but simultaneously exploiting them.

Nonetheless, a clear trajectory belongs to particular countries that have always been part of the West, and another trajectory belongs to others that have hopped in and out of the Western wagon. They are not equally “white.” […] One thing is clear: whatever defines White Western Westphalia today, its de facto imposition of a supposed superiority is certainly to blame for the current socioeconomic and political realities of Europe and the world.

Music Thing Modular – Mikrophonie Berlin Full Kit (Limited Edition) is an eurorack module that has a circuit board element based on the map of Berlin. Feeling proud about the Berlin Wall Distortion! Also noticed that using green-screens for pedal demo videos is a thing now.

20180509

Miehen paikka (2018) Veera Jussila & Anni Pasanen (Finnish). A critical text investigating at the crisis of masculine culture (in a form of a case-study. All of the interviewees are mocked).

20180508

Math Can’t Solve Everything: Questions We Need To Be Asking Before Deciding an Algorithm is the Answer (2018) Jamie Williams and Lena Gunn.

When the algorithm came along and caseworkers started substituting their own judgment with that of the algorithm, they effectively relinquished their gatekeeping role and the system became more class and race biased as a result.

For this reason the authors propose that before turning to algorithms, decision makers should think about the following questions:

– Will this algorithm influence—or serve as the basis of—decisions with the potential to negatively impact people’s lives?
– Can the available data actually lead to a good outcome?
– Is the algorithm fair?
– How will the results (really) be used by humans?
– Will people affected by these decisions have any influence over the system?

I offer a personal summary for these guidelines: If you outsource decision-making to algorithms for economic gains, you are advocating a reality which focuses on economic profit.

A video-series on privacy issues by N-O-D-E Why Decentralize? (Giving the platforms back to the users) .

20180504

We manufactured eight Trans-Horse medals from recycled aluminium with Jesse over the weekend. I’ll send five of them to Brussels to honour the participants of the Trans-Horse Parade. The Parade was a part of a series of horse related performances we prepared for Signal #6 Festival / Cifas last Autumn. Casting the aluminium was relatively easy (we succeeded in making one medal in 20minutes!). The horse in the medal is The Awaited Son (A drawing based on the photo can be downloaded from OpenClipArt). I’m really exited to send a medal to the Cavalry department of the General Reserve of the Federal Police of Belgium! Other recipients are horse stables around Brussels and the staff of the Schaerbeek recycling center.

We are preparing the third Horse & Performance course for the Theatre Academy Helsinki with Pietari.

I’m preparing a performance for the Kone foundation Lauttasaari manor spring party with the Neighborizome crew. Repurposing an old Trans-Horse ethical infta text for a small publication I plan to share with my audience.