20170717

A video I made in 2014 “Eroottinen prekariaatti 2 | Erotically Precariat 2” has received a takedown notice on youtube. The 58 min long compilation shows extracts from work themed porn movies. No sex or nudity is visible… Only intros were workers negotiate and flirt with clients and each others. When they begin to undress a new intro scene cuts the action. The scenes are organized by types of labor (construction scenes, other blue-collar workers, office workers, creatives etc.).

One part where a worker seduces a coworker, has a 40s segment where “Who Knows” by Jimi Hendrix is heard. I’m now in a legal battle with Capitol Records and have argued that the the compilation is an artwork and that I have fair use rights to the material. If I lose my youtube account will be taken down. The video is currently part of a Circus Maximus production “House of Delights” at Kunstverein Neukölln in Berlin (by request of Milla Martikainen).

20160716

A lot has happened in Europe this month. Following the Turkish coup trough Jussi Parikka’s twitter feed and blog.

The trade embargo on Russia has an impact. The quality and availability of fresh fruits and vegetables has deteriorated.

Build a handle for my dremel-tool with Jesse’s help. We attached a steel rod to a big nut, which fits the dremel’s front tip threads. Also shot a short movie about 3d-printers.

Thinking about the artists who hide their depression into poor art. #ॐ

20160706

Editing the Grey Cube Gallery documentations. The zoo’s director Sanna Hellströms talks very convincingly about her work. The way she defines the institutions function and value is very similar to what I hear art museum staff talk about their organizations. Zoos build environmental awareness, art museums build cultural awareness. Both are talked of using obscure yet convincing terms. During her talk the institutions vague role and relation to other public institutions appears like a majestic lighthouses that offer citizens the opportunity to navigate their relation to nature. I should get Maija Tanninen-Mattila (Director of the Helsinki Art Museum) and Hellströms into a panel and have them talk about their institutions for so long that the audiences perception on which is which gets mixed. Institutions are forged with obscurities.

Made a song about how institutions fold upon themselves.

Was invited by Pilvi Porkola to feature in her upcoming New Performance Turku party-performance.

20160705

Post-modernity for infants: Our daughter’s kindergarten has a scheduled “deconstruction day” during which all lego constructions the kids have build are disassembled. This makes the pieces available for new assemblies. She was worried during breakfast: “But… When is our next deconstruction day due?” She asked. (Made a song about this).

Practising on my gilding skills and trying to make a faux kintsugi repair on a broken vase. Instead of using gold or silver dust I’m gilding the glue seams. I failed to glue it together so that it would hold water inside and had to use epoxy to secure the pieces (The official kintsugi lacquer would have been expensive to import). In an effort to fix the leaks I casted a polyester resin interior for it. This holds the water in but will make conservators angry. Looks pretty though.

20160704

I became a sole trader in 2011 when I was working regularly for Outi Heiskanen. She didn’t want to be defined as “an employer” in her tax reports (which is very costly in Finland) and at the time becoming an entrepreneur felt like fun idea… I was active in building exhibitions for various parties and involved in serious art transportation ventures. We even talked about buying a van with a friend. Becoming an entrepreneur was a serious joke. The status has enabled me to discuss economics more convincingly. As an entrepreneur I’m a subject in economics and my critique of capitalism is more founded and more personal. Becoming an entrepreneur was an accelerationist effort, which culminated my involvement with Ore.e Refineries.

Sending bills is still fun but every year I regret not setting up a co-operative instead. Today my grief is related to sole trader taxation regulations when billing cities and municipalities.

As a sole trader I’m responsible for organizing my own pension. If earn more than 8000€ a year as an entrepreneur, I’m legally obligated to join a pension trust and to pay around 100€ a month in pension insurance premiums. The minimum “YEL-insurance” I’d have to pay a year is 1200€, which is too much for me (and many other sole traders working in the culture sector). This is why I don’t send more than 8000€ worth of bills a year. There are various very simple and legal tricks to do this. During the fall I negotiate that I can send my bill the next year and for bigger gigs I setup an temporary employer statuses with the organizations that hire me. For the past four years I’ve only send out bills for small 200-400€ odd jobs.

As a result I haven’t payed any pension fees. This is not because I wouldn’t want to… It’s just too expensive and as a part of my income comes from artist grants I dream that I’ll personally get an artist pension for myself (If I manage to survive as an artist for the next 33 years).

The government needs new forms of income, so that it can afford for the baby boom generation’s pensions. There are various aggressive schemes at work which skim funds for pensions from every possible monetary transaction. Legislation for small scale business is quite unfair. “By law, entrepreneurs under the age of 53 are required to pay 23.7 percent of their earnings in pension insurance, while salaried workers contribute just over five percent.” YLE explains in a 2015 article.

I wrote about the Record Singers group for an Artsi-museum related book. The writing fee was decent but as the museum is run by the municipality there is a cunning scheme in legislation, which the government will use to deduct a “pension” from my writer’s fee (More on the scheme in Finnish). This is saddening. I made the text almost for free. I don’t regret making it. I did a good job.

I’m not bitter about anything but I think that the baby boomers generation should have spend their salaries more smartly. Additional funds for pensions should be harvested by disallowing (and re-distributing) pensions that are over 2 800€/month (Statistics on pensions in Finland found here). I hate the feeling that a petitioner makes more money than I do and that young forced-entrepreneurs are paying for their second cars, their trips to Thailand and the renovation of their summer houses (which remain empty most of the year and none from my generation will be able to visit as we can’t afford the gas money).