20200404

Better than Zoom: Try these free software tools for staying in touch (2020) Greg Farough. List of open source tools for communication, file sharing etc. I’m tempted to experiment with Raspi as a home server. It might be worthy as a model for free culture distribution! Although I think publishing art for the sake of art is of bad taste right now. Might be cool for easy fun chatter thou.

A spicy application I drafted for the Together Alone open call was a bust. Only 5 out of 130 were funded. They’ll keep my proposal in their register for the next rounds of applications but it’s a stretchs. I hope they got a laugh or inspiration out of it — I bet they did. I’ve been sending an application a day and speedrun my tax-report in four hours (not much to report I guess).

Our In Various Stages of Ruins: Denial exhibition at Alkovi is now accessible at Helsinginkatu 19 and online. Feels good to do stuff.

20200401

Played football with an unknown kid in a park this morning. His pants were torn and he laughed everytime he fell. I complemented him on the falls, almost reached out to pick him up. Which is why, I guess, he run towards me like a friend in the end. I played with him, a nine year old kid in the park, take this as a token for life.

20200328

Build a 1u slew limiter following schematics from Synovatron Limited. Added a switch to toggle between 1uF and 100nF capacitors for adjusting the max slew time from 1s to over 5s (added it to modulargrid). Also build a 1u inverter following tips found on mw-forum. As suggested it is needed to make the Variable Slope VCF resonate, it produces umbfy-bass tones. Assembled a Foxfield Averter 1u kit to learn SMD (1206 size, went well) and acquired a Animodule TrAniModule PCB to complete a speaker module build I made a faceplate for in the autumn. I can also use it to boost the volume of some of my quiet modules. I think it is time to start designing a 7u 104hp case!

I’m drafting a five year project grant application for Taike and send out a spicy proposal for the controversial Kone Home Residency call. The tone of the open call is criticized heavily in Freelancer on poikkeustilan asiantuntija [Freelancer is a specialist of disaster] (2020) Maaria Ylikangas. Ylikangas explains that the Coronavirus should not be framed as an opportunity to develop as an artist, it is a tragedy and shows how unjust the precariats relationship to capitals is.

20200326

As capitalists learned that access to knowledge would make charismatic organizations redundant they attempted to limit access to it. This process presented skills and people who had skills as units which could be deployed and wielded like tools. What used to be content (such as a craft) became a quantifiable product which could be traded. Production of people as stuff and stuff led to exploitation & exploitative globalization, which led to an array of catastrophes. Some catastrophes move fast and others slow.

Governments use the volume of consumption as a measure of citizen performance. Calling for consumption as a remedy is like adding poison to poison. It has nothing to do with the problem. Our only option forwards is in focusing on quality instead of quantity. We don’t need more stuff or skills, we need to hone our craft: To make life. Adding poison to poison only makes the poison more potent. If nothing else this situation proofs that rich people are good for nothing. We can see —and should forever remember— that wealth does not trickle down. We don’t need wealth, we need taxation. #☭

This catastrophe has made domestic spaces into production facilities. There is no life in this mess. Stuff is poring in through all screens as kids are taught as products. At the same time parents work desperately to shove their services trough their screens. Every second discussion I have ends up with me announcing my availability for work or a straight up pled for it. Sometimes we are working in the same room with the kids, passing in the backround of each others streams like placeholders for persons.