Successfully build a Bastl Skis module. Spend my evenings in Kankaanpää Art School by building a scrap-plywood 104hp eurorack case with space for 3u and 1u modules. The case has adjustable support legs, so that it can be worked from an ergonomic position and a lid which can be closed with patch cables attached.
Successfully built a Music Thing Modular Turing Machine Mkii and its Volts expander
(which indicates faults in the assembly). Only four steps of the expander produce changes is the voltages which indicates bad solder joints, a problem with the 4015 chips, an issue with the clock input (using Ginko Synthese LFOv2), the pcb or something else. Checked all of the solder joints but they look good. I’ll have to get new chips, reheat all the joints and try again. The issue seems common and similar behavior is described on a Muffwiggler thread . Forgot a 10k resistor from Volts, soldered it down and everything works now!
Gigantic advertisement screens feel offbeat in Helsinki. I just witnessed the giga-screen of Musiikkitalo blasting adds against the gray Kiasma walls. One cyclist passed their confrontation in the rain, leaving the remaining snow glimmering alone in neon colors. Amos Rex mega-screen illuminated the entire empty plaza.
Below is an extract from an interview of Agnes Denes, conducted om the 5th of Oct. 2018 at the artists studio in Manhattan. I transcribed the 48m interview yesterday on the artists demand.
Agnes Denes: My poetry became haikus. Because the language was a restriction, so the haiku was an.. Well, not easier mode of expression, because it had restrictions but I wrote many haikus and then I buried them.
Johannes Heldėn: ..as a part of the Rice bur..
A: I buried all the writings and I tried desperately to remember my haikus because they were beautiful but I kept no copies. I wanted to divest myself of something that I loved, to get something back from soil.
J: That’s very beautiful.
A: I wanted to give it, to get. And there was one haiku I tried to remember.. And I can’t.. But I can tell you what it was. I was sitting in a fog, next to water and the fog descended on top of the water. And a mosquito landed on my arm and the haiku was that, the mosquito knew it’s platform but I lost mine.
J: Oh, that’s beautiful. I love it.
A: Isn’t that gorgeous?
J: It is!
A: And I can’t remember it, the haiku.
J: To be honest, when you are describing it like this and there is also the idea of the haiku but we can’t hear it, I think that makes it even more beautiful.
A: The mosquito knew my skin was its platform but I lost mine, because the fog descended on the water.
J: The haiku is lost, there is a beauty to that too
Eero Yli-Vakkuri: I’m now thinking about the Tree Mountain, there is this strong scent of death, somehow in this work. A feeling of getting lost, somehow. Am I interpreting it correctly, that there is like a sense of.. A sorrow of death?
A: Of what?
E: Of death.
A: What’s the word?
A: Death, like dead death, like as in died?
A: So how does that come into this?
E: I don’t know it came to mind when you were talking about that haiku. Sort of these forgotten memories.
A: Oh, the giving things up.
E: Putting.. Stuff to the ground..
A: Jeah. Ok. So, ask the question.
E: There is no question, perhaps. It was a short..
A: There is no question but you want an answer?
J: That’s a good quote. That’s a pretty good quote.
E: That’s my life.
Ordered parts for a second Lorre-Mill uTone building session (more on that later – Planning to attach the unit to a 42hp blank eurorack panel). Also got parts for a PMFoundations Clock Divider (Eurorack PCB set). I now have an elementary set of modulation tools in the works. I’ll start compiling the units next month. The uTone will likely be build at Oodi. Odered parts from Digi-Key on Friday and they are already in Helsinki!
Saw dance works at Zodiak. Mira Kautto: Station to Station to Station was a faux-one-person-techno-party, framed as a reminiscence of the traces that past performances had left in the dancers body. Laura Jantunen: Talvi was a monotonous, repetitive and pattern orientated piece. It placed human bodies and abstract electronic patterns on the same plane. I liked the experience of looking at human movement as a pattern but disliked the academic/neutral-tone of the work. For me the performance felt like a display of the concepts of repetition and patterns, rather then an exploration of them. Kimmo liked work a lot and their text on the piece is a good read THE CIRCUIT I NEED: TALVI, A CHOREOGRAPHY BY LAURA JANTUNEN (2019) Kimmo Modig.
Also saw Their Limbs Their Lungs Their Legs at TeaK. I enjoyed the views and read the piece as a post-humanism for kids sort of show. The outer forms of the dancer bodies where changed with various disguises. Some parts were very humorous but it didn’t offer new insight to dance.