Money isn’t power but the lack of it is a symptom for the lack of it. Having worked as an assistant for many artists, I know that wethey often make drastic decisions at the very last minute. In my role as an assistant preparing exhibitions, I grew accustomed to this and would expect Outi Heiskanen to alter exhibition designs right as the museum doors opened. I served as a shield and muscle. As the museum directors met guests at the gate, we swapped the placement of art in the halls. We did this more then once.
I assumed they did this to feel alive: Being relieved of stress feels great and creatives are addicted to it. Perhaps we are afraid that art does not feel like anything and fill this void with adrenalin. A drastic last minute change is also an artists power-grab. Because our societal impact is low, we take the power which is left for us to grab. Exactly when others are most dependent on us: At the very last minute, at the opening while people are attempting to make sense of what they see.
I think that the emerging-passing generalistshamanist, soft religious and cult aesthetic trend which artists (myself included) are inspired by, is an effort to reclaim power. Artist are becoming fantasy shamans or diy-alchemists, not necessarily to submit themselves to an another domain of reasoning but to re-establish the artist mythos of past (which never existed): We are trying to become vessels for spiritual affairs because articulated forms of power elude us.
This is not a bad thing but it is symptomatic and possibly works against our efforts to self-organize. Cult’s seldom have more then one leader. Also such aesthetics remain very sensitive to appropriation.